• 12inch
  • Digital


Can't Get Enough (Of Your Love)

  • Cat No: FSR125
  • Release: 2023-06-09

Format

Digital 460 JPY

1980年代、サウス・ロンドンのラヴァーズロック・ヴォーカル・ハーモニー・グループを前身とするUKのライトファンク・ディスコ&ブギー・ブリットファンク・グループTake Threeのアーカイヴから新たに発掘された1987年キラー秘宝をFreestyleが発掘リイシュー!!!B面レゲエミックスが極上に心地いい。

グラウンドビート、アシッドジャズ前夜、1987年自主レーベルよりリリースされていたエレクトリック・エレガントなUKライトファンク・ブギーディスコ秘宝。この時代ならではの間合い、音感、響き、雰囲気がアーバン・メロウに香しいソウルミックスSide-A「Can't Get Enough (Of Your Love)(Soul Mix)」(sample1)、レゲエ・ダブ・マナーのミッドテンポ・ディスコ・ブギー・ソウルSide-B「Can't Get Enough (Of Your Love)(Reggae Mix)」(sample2)が胸キュンの愛くるしい心地よさ。 (コンピューマ) (12inchのコメントから参照)

Track List

16bit/44.1khz [wav/flac/aiff/alac/mp3]

Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis.
Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle.
Following on from Freestyle's reissue of the group's first single around this time last year, in the form of 1983's Tonight's the Night, we decided to drop another killer 12" from the Take Three vaults - this time it's their last single released as Take Three in 1985. Can't Get Enough (of Your Love) was originally licensed out to, and released by Andy Sojka's seminal Elite label. It features two super extended mixes - the A side's "Soul mix" showcases the girls's harmonies pinned down by a big & heavy synth bass groove before moving into boogie-dub territory, while the B side "Reggae mix" introduces an ofbeat skank heightening the vocal stylings' lovers-esque tendancies.

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