- LP
- Digital
M. Takara & Carla Boregas
Linha D'Água
Bokeh Versions
- Cat No: BKV031
- Release: 2020-08-28
ブラジル・アンダーグラウンド・シーンより現れた、ドラム、パーカッション&エレクトロニクス、シンセサイザー&エレクトロニクスの男女デュオ、M. TAKARA & CARLA BOREGASによる、クラウトロック的アクアティック・ジャズ、透明感のあるコズミック・シンセウェイヴ・ドリーミー・セッション8トラックLP from BOKEH VERSIONS!!!
Track List
-
1. M. Takara & Carla Boregas - Linha d'Água
04:55 -
2. M. Takara & Carla Boregas - Rosa de Areia
06:28 -
3. M. Takara & Carla Boregas - Elipse
04:02 -
4. M. Takara & Carla Boregas - Bocca Chiusa
05:25 -
5. M. Takara & Carla Boregas - Mãe d'Ouro
06:48 -
6. M. Takara & Carla Boregas - Traçado Entre Duas Linhas
01:12 -
7. M. Takara & Carla Boregas - Execução
03:46 -
8. M. Takara & Carla Boregas - Constante De Distância
07:31
24bit/44.1khz [wav/flac/aiff/alac/mp3]
A lucid dream meeting of synth waves, aquatic jazz spirits and drum-triggered electronics.‘Linha D'Água’translates as ‘water lines’, fitting for an album that traces boundaries between water and air through an echo chamber of dizzying oceanic layers and free flowing ideas.
This is not a record based on genres. It’s an album that navigates through atmospheres, through explorations and discoveries, through curiosity and dialogue. The eight tracks were recorded in a single day in the studio, but it is the result of more than two years of collaborations.
Mauricio Takara and Carla Boregas are two towering figures of the Brazilian underground/experimental scene, where they provide the rhythm section for demented genre-bending trio Rakta. While that band is all ritual percussion and red-blooded passion, as a duo they’re a blue-water flowing counterpoint. From the drums, Takara fires melodies and, with the synthesizer, Carla sculpts the sound. The result iscaught somewhere between abstract improvisation and propulsive rhythm. Each song’s an organic layering of manipulated synthesizers and acoustic sounds; teasing new rhythms from the drum kit via MIDI (and a near-telekinetic bond between Carla and Mauricio).
Sometimes‘Linha D'Água’driftsclosest to ambient music, as in the title track, in ‘Mãe D'Ouro’ and ‘Bocca Chiusa’; sometimes it runs into free jazz, as in ‘Traçado Entre Duas Linhas’. There are moments when Carla and Mauricio explore a universe of tension that comes closest to the cosmic music of 70s Germany, as in ‘Rosa de Areia’ and ‘Constante de Distância’; in others they evoke the metallic sounds of Indonesian gamelan (on ‘Execution’).
Carla Boregas is a founding member of the band Rakta, which started in 2011. She co-founded Auta, a DIY space dedicated to adventurous music in São Paulo hosting artists like Feminine Hi-Fi and Deafkids. She is also part of the transdisciplinary duo Fronte Violeta.
Mauricio Takara also plays drums/percussion with the bands Hurtmold and São Paulo Underground (with trumpeter Rob Mazurek from Chicago). Takara has played with a dizzying array of improv / experimental / jazz figures such as Pharoah Sanders, Damo Suzuki, Yusef Lateef, Joe Lally (Fugazi), Naná Vasconcelos, Prefuse 73, Makoto Kawabata and more.
This is not a record based on genres. It’s an album that navigates through atmospheres, through explorations and discoveries, through curiosity and dialogue. The eight tracks were recorded in a single day in the studio, but it is the result of more than two years of collaborations.
Mauricio Takara and Carla Boregas are two towering figures of the Brazilian underground/experimental scene, where they provide the rhythm section for demented genre-bending trio Rakta. While that band is all ritual percussion and red-blooded passion, as a duo they’re a blue-water flowing counterpoint. From the drums, Takara fires melodies and, with the synthesizer, Carla sculpts the sound. The result iscaught somewhere between abstract improvisation and propulsive rhythm. Each song’s an organic layering of manipulated synthesizers and acoustic sounds; teasing new rhythms from the drum kit via MIDI (and a near-telekinetic bond between Carla and Mauricio).
Sometimes‘Linha D'Água’driftsclosest to ambient music, as in the title track, in ‘Mãe D'Ouro’ and ‘Bocca Chiusa’; sometimes it runs into free jazz, as in ‘Traçado Entre Duas Linhas’. There are moments when Carla and Mauricio explore a universe of tension that comes closest to the cosmic music of 70s Germany, as in ‘Rosa de Areia’ and ‘Constante de Distância’; in others they evoke the metallic sounds of Indonesian gamelan (on ‘Execution’).
Carla Boregas is a founding member of the band Rakta, which started in 2011. She co-founded Auta, a DIY space dedicated to adventurous music in São Paulo hosting artists like Feminine Hi-Fi and Deafkids. She is also part of the transdisciplinary duo Fronte Violeta.
Mauricio Takara also plays drums/percussion with the bands Hurtmold and São Paulo Underground (with trumpeter Rob Mazurek from Chicago). Takara has played with a dizzying array of improv / experimental / jazz figures such as Pharoah Sanders, Damo Suzuki, Yusef Lateef, Joe Lally (Fugazi), Naná Vasconcelos, Prefuse 73, Makoto Kawabata and more.
アンビエント、フリージャズ、クラウトロック、アブストラクト・エクスペリメンタル・ベース&テクノなフロアミュージックとしての探求と発見、そして対話。宇宙。精神世界。BOKEH VERSIONSならではの非常に興味深いリリース新作!!! (コンピューマ) (LPのコメントから参照)