Following a stellar trip through Woo's Arcturian Corridor, Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel. Gian Luigi Morosin and Andrea Desiderà's debut 1992 album Skies In The Mirror was a rare and spellbinding trip of electro-acoustic ambience, and now they return with an album of new works recorded over the past year. Made almost entirely on workstations, there is a crisp, digital timbre to the worlds Cabaret du Ciel shape out on The Breath Of Infinity - utopian pastures with an air of optimism similarly expressed in the first waves of ambient electronica. Folk traditions exert a guiding influence on the sparkling, ethereal melodies and full-frequency harmonisation, but this is music enamoured with timeless plateaus rather than hackneyed interpretations of the past, present or future. It's an album of variety, spanning the pastoral, elemental "Different Suns" and the sharp, bio-mechanical formations of "Lakota" through to the hypnagogic bliss of the title track. In a similar fashion to acts such as Ultramarine (who appeared as remixers on Quindi 001), Cabaret du Ciel emphasise the musicality in their electronic music, shaping out an evocative, imaginative environment to idly glide through or attentively explore.