- LP
- Digital
Carl Stone
We Jazz Reworks, Vol. 2
We Jazz
- Cat No: WJLPX2
- Release: 2022-10-21
- updated:
北欧フィンランド・ヘルシンキのアブストラクト・モダンジャズ・エレクトロニカ・フューチャー注目レーベルWE JAZZ RECORDSの意欲的リワーク・シリーズ「We Jazz Reworks」の待望第二弾が登場！今作の解体人はなんと電子音楽コンピューターミュージック歴史的レジェンドCARL STONE！！！同レーベルの11-20番の音源のみを使用した解体再構築アルバム作品。帯付きクリアブルーヴァイナルLP。
Track List
-
1. Carl Stone - Umi
08:27 -
2. Carl Stone - Sasagin
04:08 -
3. Carl Stone - Coraloense
04:45 -
4. Carl Stone - Hippo
06:51 -
5. Carl Stone - Omar
04:24 -
6. Carl Stone - Cut
05:56
24bit/48khz [wav/flac/aiff/alac/mp3]
We Jazz Records presents the second volume of their reworks albums dealing with source material from the Helsinki-based label's catalog. This time around, it's Carl Stone's turn to tackle the source albums at hand and filter the label's output through his musical lens.
We Jazz Reworks is an idea that repurposes some of the label's output 10 albums at a time. That is, the label invites producers whose music they love on board, and one by one, they tackle 10 albums worth of source material, of which they are free to use as much or as little as they choose. The series evolves chronologically, so this volume being number two, the source material is pulled from We Jazz LPs numbers 11 through 20. The artist has complete freedom.
Volume 2 in the series happens with Carl Stone, a legendary figure in creative music. His career spans decades of unlimited musical innovation. Stone's recent output on Unseen Worlds, the label who has also been instrumental in issuing some of his remarkable earlier work, ranks among the most original art of our time and renders notions such as "genre" virtually meaningless.
Here, We Jazz originals by Terkel Nørgaard, OK:KO, Jonah Parzen-Johnson and more are met here with a fresh sense of discovery, spun around and delivered ready for the turntable once again.
Carl Stone says:
"It was wonderful that We Jazz gave me carte blanche to work with any materials from the set of ten releases in its catalog. This freedom to work with everything could have been a mixed blessing though, as it could be a challenge to try to deal with so much musical information. In the end I did what I almost always do: Let my intuition be my guide and to seize upon any musical items that seemed to fit into an overall approach."
"To make a new piece I usually start with an extended period of what really is just playing, the way a child plays with toys. Experimentation without necessary expectation, leading to (hopefully) discovery of things of musical interest, then figuring out a way to craft and shape these into a structured piece of music. Each track uses a different approach, which I found along the way during this play period."
This conceptual approach becomes complete with the design, in which album graphics are treated in a similar fashion, reworking what's there. This time around, the artwork is reinvented by Tuomo Parikka, a regular cover collage contributor for the We Jazz Magazine.
CURACAO BLUE TRANSPARENT VINYL, INSIDE OUT SLEEVE, OBI W/ LINER NOTES, PRINTED INNER SLEEVE WITH SOURCE ALBUM DESIGN REFLECTIONS.
We Jazz Reworks is an idea that repurposes some of the label's output 10 albums at a time. That is, the label invites producers whose music they love on board, and one by one, they tackle 10 albums worth of source material, of which they are free to use as much or as little as they choose. The series evolves chronologically, so this volume being number two, the source material is pulled from We Jazz LPs numbers 11 through 20. The artist has complete freedom.
Volume 2 in the series happens with Carl Stone, a legendary figure in creative music. His career spans decades of unlimited musical innovation. Stone's recent output on Unseen Worlds, the label who has also been instrumental in issuing some of his remarkable earlier work, ranks among the most original art of our time and renders notions such as "genre" virtually meaningless.
Here, We Jazz originals by Terkel Nørgaard, OK:KO, Jonah Parzen-Johnson and more are met here with a fresh sense of discovery, spun around and delivered ready for the turntable once again.
Carl Stone says:
"It was wonderful that We Jazz gave me carte blanche to work with any materials from the set of ten releases in its catalog. This freedom to work with everything could have been a mixed blessing though, as it could be a challenge to try to deal with so much musical information. In the end I did what I almost always do: Let my intuition be my guide and to seize upon any musical items that seemed to fit into an overall approach."
"To make a new piece I usually start with an extended period of what really is just playing, the way a child plays with toys. Experimentation without necessary expectation, leading to (hopefully) discovery of things of musical interest, then figuring out a way to craft and shape these into a structured piece of music. Each track uses a different approach, which I found along the way during this play period."
This conceptual approach becomes complete with the design, in which album graphics are treated in a similar fashion, reworking what's there. This time around, the artwork is reinvented by Tuomo Parikka, a regular cover collage contributor for the We Jazz Magazine.
CURACAO BLUE TRANSPARENT VINYL, INSIDE OUT SLEEVE, OBI W/ LINER NOTES, PRINTED INNER SLEEVE WITH SOURCE ALBUM DESIGN REFLECTIONS.
実験音楽界の異端レーベルUnseenより続々と新作をリリースし続けている、60年代から音楽活動をスタート、Morton Subotnickに師事以降は主に電子音楽家として、コンピューターミュージック、実験的な音楽を生み出し続けるレジェンド巨匠Carl Stoneが、WE JAZZ RECORDSの音源のみでリワークを試みた意欲作！！！Carl Stoneならではの実験的ミニマル・ジャズ・ドローン・アンビエント空間を新たなに誕生させ、元々の作品をカラフル華麗に昇華させた流石のめくるめく新たな音楽世界としてPlunderphonic的にもズタズタに解体カットアップ＆ペースト再構築してくれている。見事。傑作。全6トラック。 (コンピューマ) (LPのコメントから参照)