- LP
- Digital
Ambiance II Fusion
Come Touch Tomorrow
Freestyle Records
- Cat No: FSRLP148
- Release: 2023-06-23
夢見心地アーバン・メロウに濡れ窄む1984年録音のUK産自主制作インディー・フュージョニック・ソウル激レア秘宝Ambiance II Fusion「Come Touch Tomorrow」がFreestyleよりアナログLP復刻!!!咽び泣く。
Track List
-
1. Ambiance II Fusion - I Dream Too Much
05:15 -
2. Ambiance II Fusion - Come Touch Tomorrow
05:42 -
3. Ambiance II Fusion - Don't You Ever Take Your Love
04:55 -
4. Ambiance II Fusion - Samba Para Mi
02:55 -
5. Ambiance II Fusion - Boy What a Joy
05:32 -
6. Ambiance II Fusion - The Camouflage
07:23 -
7. Ambiance II Fusion - Naima
07:11
24bit/44.1khz [wav/flac/aiff/alac/mp3]
Freestyle Records are proud to reissue Ambiance II Fusion's mid-80s fusion rarity "Come Touch Tomorrow" - originally recorded in Hollywood CA October/November 1984 and released in 1985.
Following a yearly run of 4 albums self-released between 1979 and 1982, Nigerian-born saxophonist, flutist, and clarinettist Daoud Abubakar Balewa then took a few years off before returning with 1985's "Come Touch Tomorrow", the first of two albums issued under the updated name of Ambiance II Fusion. Combining the afro-spiritual jazz & be-bop inflected fusion of his earlier work as Ambiance, this record took the project into more modern & distinctly cosmic planes with the introduction of spacey pads and drum machines working alongside somewhat tighter arrangements and solid rhythm sectons. Of particular note here is the B1 track "Boy What a Joy" on which a sublimely funky synth & drum machine throwdown is presented in prophetically lo-fi fashion - recalling recent stylistic approaches from the likes of Dâm-Funk among others.
Participating Musicians:
"AMBIANCE II FUSION"
Stanley Dominguez - Guitars
Dr. Isacc Ford - Drums/Electric Drums
Ralph Rodriguez - Percussion
Juliian Breeton - Bass
Jardin Wilson - Bass
Lee Williams - Keyboards/Syntheziers
Daoud Abubakar Balewa - Alto & Tenor Saxophone/Percussion
Larry Dominguez - Alto Saxophone
Suzanne Daniels - Vocal Sounds
"AMBIANCE II FUSION ENSEMBLE"
James "Kino" Cornwell - Keyboards
Randy Landis - Basses
Rick Smith - Percussion
Jim Lum - Guitars
Arnold Ramsey - Drums
Daoud Abubakar Balewa - Soprano Saxophone/Percussion
Recorded at Sound Images Recording Studios - Sound Images Entertainment Complex - North Hollywood, CA & Classic Sound Studios - Hollywood, CA. October/November 1984.
Following a yearly run of 4 albums self-released between 1979 and 1982, Nigerian-born saxophonist, flutist, and clarinettist Daoud Abubakar Balewa then took a few years off before returning with 1985's "Come Touch Tomorrow", the first of two albums issued under the updated name of Ambiance II Fusion. Combining the afro-spiritual jazz & be-bop inflected fusion of his earlier work as Ambiance, this record took the project into more modern & distinctly cosmic planes with the introduction of spacey pads and drum machines working alongside somewhat tighter arrangements and solid rhythm sectons. Of particular note here is the B1 track "Boy What a Joy" on which a sublimely funky synth & drum machine throwdown is presented in prophetically lo-fi fashion - recalling recent stylistic approaches from the likes of Dâm-Funk among others.
Participating Musicians:
"AMBIANCE II FUSION"
Stanley Dominguez - Guitars
Dr. Isacc Ford - Drums/Electric Drums
Ralph Rodriguez - Percussion
Juliian Breeton - Bass
Jardin Wilson - Bass
Lee Williams - Keyboards/Syntheziers
Daoud Abubakar Balewa - Alto & Tenor Saxophone/Percussion
Larry Dominguez - Alto Saxophone
Suzanne Daniels - Vocal Sounds
"AMBIANCE II FUSION ENSEMBLE"
James "Kino" Cornwell - Keyboards
Randy Landis - Basses
Rick Smith - Percussion
Jim Lum - Guitars
Arnold Ramsey - Drums
Daoud Abubakar Balewa - Soprano Saxophone/Percussion
Recorded at Sound Images Recording Studios - Sound Images Entertainment Complex - North Hollywood, CA & Classic Sound Studios - Hollywood, CA. October/November 1984.
ナイジェリア出身のサックス、クラリネット奏者Daoud Abubakar Balewa率いるグループAmbiance II Fusionによるクロスオーバー・フュージョニック・ジャジー夜の帷。アフロ・スピリチュアル、ビ・バップ、ブラジリアン・サンバ、ボサノヴァ、アンビエンス・スペイシーでセクシー・モダンな宇宙的次元への愛の道標。インディペンデント音の粗さも絶妙にたまりません。イナタイ・サックス・ソロ、喘ぎ声に妄想と夢が広がります。リック・ジェームスやプリンス、ミネアポリスファンク・マナー、PPUファンも見逃せないネチっとしたチープ・エレクトロファンク・ジャズB1「BOY WHAT A JOY」も愛おしい。トラックリストからも是非ともどうぞ。 (コンピューマ) (LPのコメントから参照)