The return of Norwegian producer, musician, graphic / fashion designer and erstwhile goalkeeper Espen Horne is something quite momentous for Wah Wah 45s. The label’s debut release, the now seminal Magnetica, was produced by the man himself, and in the best part of 25 years that followed he never lost his connection with the label and remained very much part of the Wah Wah family.
Now, almost a quarter of a century later, Espen returns with his first solo material under his own name since that club classic from 1999. Having produced music under the pseudonym of Bobby Hughes (his goalkeeping moniker when playing for Wigan!) and alongside soulful reggae vocalist Caitlin Simpson as Kinny and Horne for Tru Thoughts, Espen is back with another vocalist of a similar ilk, and one who is well known to fans of Wah Wah 45s.
Faye Houston was one of two great front women for the label’s much loved, and much missed, dub outfit Resonators. Here she returns to the fold with Espen on the deeply spiritual soul-jazz beauty Bakeren. It’s the first taste of Espen’s debut LP for the imprint, The Anatomy of Serene Eloquence, due out this summer.
The opening spoken words set the scene:
“For han bor helt alene på en bitteliten øy” which translates to ”Because he lives all alone on his tiny island” and sums up perfectly how Espen lives his life in the beautiful, lush Western Norwegian coastal town of Bergen, surrounding himself with nature and focusing on it as one of the main inspirations for his new music.
This was never more the case than during the pandemic, when Espen began work on his new album. Grateful for the natural wonders that surrounded him, but keen to reach out to fellow humans to collaborate with, he started sharing musical ideas on-line with Faye, organist Rory More and bass player & vibes master Alexander von Mehren. Adding Eirik Blästernes on keys and Ivar Thormodsceter on drums were the finishing touches that created a very special and very moving piece of music that sets the scene for the album. The love and respect that the musicians share for each other, and their surroundings, is explicit in this song. A song which, rather wonderfully, draws its inspiration from an early 1970s Norwegian children’s record, naturally.