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Dickie Landry
Hang the Rich (JD Twitch mix)
DFA
- Cat No: DFA2693
- updated:2024-03-04
80s NYC アヴァン・パンク・ファンクの失われていた音源を〈DFA〉が12インチリリース。JD Twitch リミックス。攻め立てるように重なるトライバルリズム、当時のNYCの先鋭音楽の流れを汲んだ鋭角パンク・ディスコ。「金持ちを吊るせ」
Dickie Landry’s saxophones have challenged, soothed, and blown minds around the world in his lengthy career as a jazz and avant-garde blower of the highest regard. He was a founding member of the Phillip Glass Ensemble and (according to Wikipedia lore) introduced Paul Simon to zydeco, one of the indigenous sounds of his native southern Louisiana. Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments.
Talking Headsから The Philip Glass EnsembleやSteve Reichなどの著名な名盤にも参加、自身名義でも〈Chatham Square Productions〉等からリリースしているNYCのジャズ、アヴァンミュージックのサックス奏者Richard Landry が1986年に残したHang the RichをOptimo/JD Twitchのリミックスを搭載してDFAが12インチリリース。アートワークには、「Dreams Never End」と刻まれています。 (サイトウ)