- Digital
Chevel
Blurse
Stroboscopic Artefacts
- Cat No: SALP003
- Release: 2015-09-25
Track List
-
1. Chevel - Comb
04:07 -
2. Chevel - The Windrunner
04:20 -
3. Chevel - Down and Out
03:51 -
4. Chevel - Low Roof
04:36 -
5. Chevel - Watery Drumming
04:05 -
6. Chevel - Heimweh
03:29 -
7. Chevel - Flippant Remark
04:16 -
8. Chevel - Identity Switch
04:04 -
9. Chevel - Loop #42
04:07 -
10. Chevel - Stranded
04:00 -
11. Chevel - Loop #33
04:06 -
12. Chevel - A Form of Love
02:48
16bit/44.1khz [wav/flac/aiff/alac/mp3]
Having already proven that he is capable of maintaining sonic quality and distinction over the course of a full original program, Chevel (a.k.a. Dario Tronchin) now makes his LP debut for Stroboscopic Artefacts. His other S.A. contributions (including the inaugural entry in the label’s singular Monad series, the “One Month Off” EP, his participation to the label’s five-year retrospective series) have already hinted that a more complete exposition of his unique inner world would surface, and here it is at last.
Over the course of his young career, Chevel has gained a mastery over several compositional elements: Polaroid-like slow melodic fades, sharp ricocheting beats, and simply making one’s headphones feel like a viable means of physical transportation. All of these elements come into play shortly after the needle hits the grooves of ‘Comb’ a euphoric introductory track marked by a spectral panning sequence and by beats chopped with a culinary expert’s sense of elegance. The drum kit sounds that feature throughout are used sparely but – either because of this or in spite of this – provide maximum impact upon the listener’s nervous system. The almost ‘far Eastern’ use of ‘block’ percussion on ‘The Windrunner’ and ‘Low Roof’ perfectly complements the synthetic sheen produced... more
Over the course of his young career, Chevel has gained a mastery over several compositional elements: Polaroid-like slow melodic fades, sharp ricocheting beats, and simply making one’s headphones feel like a viable means of physical transportation. All of these elements come into play shortly after the needle hits the grooves of ‘Comb’ a euphoric introductory track marked by a spectral panning sequence and by beats chopped with a culinary expert’s sense of elegance. The drum kit sounds that feature throughout are used sparely but – either because of this or in spite of this – provide maximum impact upon the listener’s nervous system. The almost ‘far Eastern’ use of ‘block’ percussion on ‘The Windrunner’ and ‘Low Roof’ perfectly complements the synthetic sheen produced... more