- Digital
Max Loderbauer & Jacek Sienkiewicz
End
Recognition Records
- Cat No: R-CD005
- Release: 2017-03-31
Track List
-
1. Max Loderbauer & Jacek Sienkiewicz - Est
05:50 -
2. Max Loderbauer & Jacek Sienkiewicz - Tib
06:19 -
3. Max Loderbauer & Jacek Sienkiewicz - Hak
04:26 -
4. Max Loderbauer & Jacek Sienkiewicz - Sir
05:36 -
5. Max Loderbauer & Jacek Sienkiewicz - Tuk
04:09 -
6. Max Loderbauer & Jacek Sienkiewicz - Gnd
03:32 -
7. Max Loderbauer & Jacek Sienkiewicz - Noe
08:50 -
8. Max Loderbauer & Jacek Sienkiewicz - Wet
04:57 -
9. Max Loderbauer & Jacek Sienkiewicz - Hut
08:12
16bit/44.1khz [wav/flac/aiff/alac/mp3]
Kosmos of sound phenomena is devoid of a distinct beginning and end, fluid and polymorphous. Stream of
sound is continuous, no matter whether and which volatile events are registered, and which ones are omitted. It
is a complex state which transgresses borders defined by source, signal and mechanism of
perception. Pastoral/tropical soundscapes and post-brutalist compositions by Max Loderbauer and Jacek
Sienkiewicz from their "End" CD seem to evoke those situations where can actually hear objects, shapes and
time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes
and phenomena. Apocalyptic and contemplative spaces generated by this pair of seasoned sound creators
explode genre bastions of ambient and IDM, leading into the spectral areas once explored by such pioneers
and Popol Vuh or Ilhan Mimaroglu. Above all, etheric and extra-sensitive "End" marks the meeting of two
incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an
insistent pulse of detail on an ever-morphing background. Without vivid commentary and recognizable
soundbites of the present, "End" is simultaneously an interesting projection of hopes and anxieties of the New
Age. Core of tracks included on the record has been produced on the occasion of Max and Jacek appearing as
a live duo during 2015's Berlin Atonal festival, which resulted in well received ''Alpine-Tatra-Himalaian'' EP
''Ridges''. Remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and
recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.
sound is continuous, no matter whether and which volatile events are registered, and which ones are omitted. It
is a complex state which transgresses borders defined by source, signal and mechanism of
perception. Pastoral/tropical soundscapes and post-brutalist compositions by Max Loderbauer and Jacek
Sienkiewicz from their "End" CD seem to evoke those situations where can actually hear objects, shapes and
time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes
and phenomena. Apocalyptic and contemplative spaces generated by this pair of seasoned sound creators
explode genre bastions of ambient and IDM, leading into the spectral areas once explored by such pioneers
and Popol Vuh or Ilhan Mimaroglu. Above all, etheric and extra-sensitive "End" marks the meeting of two
incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an
insistent pulse of detail on an ever-morphing background. Without vivid commentary and recognizable
soundbites of the present, "End" is simultaneously an interesting projection of hopes and anxieties of the New
Age. Core of tracks included on the record has been produced on the occasion of Max and Jacek appearing as
a live duo during 2015's Berlin Atonal festival, which resulted in well received ''Alpine-Tatra-Himalaian'' EP
''Ridges''. Remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and
recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.