Yenting Hsu (Taiwan) uses sound as her primary creation medium. Interweaving field recordings with electronic sounds and objects, she continues to explore documentary and fiction/narrative and imaginary elements of recorded sounds. Mixing with other art media and artistic disciplines, she creates installations, performances, audio documentaries, electroacoustic music and more. Yenting Hsu is part of the Touch Mentorship programme.
許雁婷（台灣） 以聲音為主要創作媒材。交織田野錄音、電子和物件聲響，持續探索錄音聲音的紀錄及虛構、敘事及想像特質，亦時常混融其他媒材及藝術領域創作，以裝置、表演、聲音紀錄片、電子原音音樂等形式呈現。許雁婷是Touch領航計劃的成員之一。
As the continuation of the Relight+MUSICproject collaborating with zhēnzhēn Stained Glass lab, Flashis dedicated to the theme of 'time'. Sound, music and glass exist as art forms of time. In this album, sound materials are from samples of glass sounds, accompanied with field recordings, electronic sounds and voices. I use various approaches to imagine and depict the concept of time and different time frames.
須臾 Flash
《須臾》延續自與真真鑲嵌玻璃研究所合作的「Religh+MUSIC光音」計劃，主題導向「時間」。聲音、音樂與玻璃都是時間的藝術。專輯中的素材來自玻璃聲音採樣、田野錄音、電子聲響及人聲等。在各曲目中運用不同創作方式想像、描繪時間的概念與種種時間框架。