- Digital
Cosmic Neighbourhood
Library, Vol. 1
Kit Records
- Cat No: KR35
- Release: 2020-02-28
- updated:
Track List
-
1. Cosmic Neighbourhood - Pine Wizard
01:58 -
2. Cosmic Neighbourhood - Overgrown Garden
01:19 -
3. Cosmic Neighbourhood - Thought Bubble
01:24 -
4. Cosmic Neighbourhood - Fortune Teller
01:04 -
5. Cosmic Neighbourhood - Caterpillar
01:16 -
6. Cosmic Neighbourhood - Cloud
01:28 -
7. Cosmic Neighbourhood - Gnomes
01:27 -
8. Cosmic Neighbourhood - Leaf
01:20 -
9. Cosmic Neighbourhood - Fall
01:04 -
10. Cosmic Neighbourhood - Nature Spirit
01:11 -
11. Cosmic Neighbourhood - Squirrel
01:19 -
12. Cosmic Neighbourhood - Waving Tree
01:11 -
13. Cosmic Neighbourhood - Duet
01:06 -
14. Cosmic Neighbourhood - Ladybugs
01:12 -
15. Cosmic Neighbourhood - Witches Hat
01:21 -
16. Cosmic Neighbourhood - Night People
01:51
24bit/44.1khz [wav/flac/aiff/alac/mp3]
Adam Higton presents his first collection of library music.
Encompassing comic strips, collage and sound art, York-based illustrator and musician Adam Higton's work documents the daily goings-on of the forest folk within the realm of the Cosmic Neighbourhood. In classic Higton style, this new 10" sees songs acting in response to a series of paper-and-scissors compositions.
Sonically, these recordings straddle new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.
Adam's illustration work has appeared in the New York Times, Anorak and Zeit Magazine.
Encompassing comic strips, collage and sound art, York-based illustrator and musician Adam Higton's work documents the daily goings-on of the forest folk within the realm of the Cosmic Neighbourhood. In classic Higton style, this new 10" sees songs acting in response to a series of paper-and-scissors compositions.
Sonically, these recordings straddle new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.
Adam's illustration work has appeared in the New York Times, Anorak and Zeit Magazine.