• Digital


Innocence - Scriabin Preludes Op.11

  • Cat No: FR047
  • Release: 2024-12-10
  • updated:

Format

digital 1950 JPY

Track List

16bit/44.1khz [wav/flac/aiff/alac/mp3]

FormResonance integrates the cosmological insights of "Orbit of Ecstasy" into daily life. Transforming the listener's experience with the harmonic resonance found in Alexander Scriabin's romantic preludes. Through tuning to the 432 Hz frequency, this album fosters a profound understanding of our existence, offering a gateway to connect with the cosmic principles that underlie all creation.
The choice of 432 Hz as a tuning frequency is not arbitrary. Often called the "natural frequency of the universe," 432 Hz is believed by some musicians and researchers to resonate more harmoniously with the natural vibrations of life and the cosmos. In contrast to the standard 440 Hz tuning, 432 Hz is associated with a calming effect and a deeper, more resonant connection with the listener. This tuning aligns with natural rhythms and promotes a more peaceful state of mind, enhancing receptivity to the spiritual and cosmic layers embedded within the music.
Alexander Scriabin, a fervently romantic composer with a mystical inclination, envisioned music as a means to transcend earthly limitations and connect to universal truths. His works, particularly his Op. 11 preludes, evoke spontaneous bursts of emotion, joy, and an expansive experience that goes beyond linear listening. The compositions in Orbit of Ecstasy are played with this intimate, almost invocative approach, capturing Scriabin's intent to bridge the gap between earthly and cosmic realms. Scriabin's fascination with mystical and cosmic themes aligned his music with a vision of universal unity, sometimes described in literature as "divine ecstasy" or a journey through cosmic consciousness.
Orbit of Ecstasy, performed by Florian Haik Schirmacher and Kurt Dahlke, explores the boundaries between classical and electronic music, merging the two in a seamless flow of creativity and consciousness. The artists embrace Scriabin's approach, exploring new auditory realms and an uncharted musical landscape that opens listeners to a profound, non-linear experience of sound and space. In their work, the duo brings forth a transcendent state, where Scriabin's romantic and mystical influences merge with electronic textures, resulting in a "limitless stream of consciousness."
Through this music, Orbit of Ecstasy offers listeners an individualized experience, a "healing container" designed to enrich one's inner resources, expanding awareness and presence in the here and now. In a world divided by boundaries-of nations, ideologies, and genres-Orbit of Ecstasy aims to nourish the spirit, encouraging a sense of unity that transcends traditional constructs.
The album also invites listeners to experience synchronicity-the sense of connection with something larger than themselves, a force that needs no teacher, artist, or external authority. Synchronicity, in this context, is an internal alignment, a natural harmony that fosters a responsibility to the self. By bypassing intellectual constructs, Orbit of Ecstasy allows for a direct connection to pure experience, creating a space for listeners to immerse themselves in Scriabin's cosmic vision, liberated from linear perception.
Through this immersive, resonant experience, Orbit of Ecstasy becomes more than music; it becomes a shared journey, a community of listeners exploring new realms of consciousness and connecting with the essence of being itself.

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