- Digital
Danilo Schneider
Acoustic Mirage
FormResonance
- Cat No: FR045
- Release: 2025-02-21
- updated:
Track List
-
1. Danilo Schneider - Relaxing Things (Original)
07:41 -
2. Danilo Schneider - Circus Fun (Original)
08:04 -
3. Danilo Schneider - Acoustic Mirage (Original)
08:48 -
4. Danilo Schneider - Acoustic Mirage (Bardia Salour Remix)
08:44 -
5. Danilo Schneider - Relaxing Things (Anton Kubikov Remix)
08:00
16bit/44.1khz [wav/flac/aiff/alac/mp3]
Danilo Schneider releases his new EP "Acoustic Mirage" on FormResonance!
The elegance of Danilo Schneider's tracks creates free spaces that connect electronic music with the body.
Electronic Body Music becomes an open field of experience, which Schneider explores into surreal, atmospheric realms. This other dimension is fleeting yet timeless, gentle yet captivating. Subtle rhythms and melodies softly come and go without losing themselves. Schneider describes his music as inspired by being in nature or perceiving special impressions during unexpected encounters.
With "Acoustic Mirage," Schneider believes he has created an oasis that can be meditative for the listener or inspiringly danceable. "An audible mirage, close enough to grasp, yet playful in its sound," he says-a timeless auditory world filled with effortless lightness.
Two High-Caliber Remixes Enrich the Release
Bardia Salour, a pivotal figure in the Hamburg electronic music scene, picks up this sonic concept in his remix and shapes his club sound with such precision, pressure, and dynamics that it is rightfully called a club hit!
His signature acid line, combined with Jakob Seidensticker's finely tuned mix, preserves the track's masterful "darkness." This creates a stereo field that seems composed by coastal minds familiar with the rough sea. Together, they deliver a masterpiece that fully unfolds the track's dynamic energy.
Anton Kubikov demonstrates his mastery of "the art of play" with his interpretation of "Acoustic Mirage." A powerful bassline, combined with a quest for variety, dynamics, and driving dance energy, fulfills all expectations. He sets his own accents and adds vocals that accompany the listener on a journey. He speaks of a "sense of union" that, like the sounds of his piece, come and go. Kubikov evokes a sense of "another time," without losing focus on the intensely driving bass drum.
Does this point to the spiritual dimension of the bass drum as a unifying force? Do we know it? - We know it!
Thank you, Anton, for your accents!
The elegance of Danilo Schneider's tracks creates free spaces that connect electronic music with the body.
Electronic Body Music becomes an open field of experience, which Schneider explores into surreal, atmospheric realms. This other dimension is fleeting yet timeless, gentle yet captivating. Subtle rhythms and melodies softly come and go without losing themselves. Schneider describes his music as inspired by being in nature or perceiving special impressions during unexpected encounters.
With "Acoustic Mirage," Schneider believes he has created an oasis that can be meditative for the listener or inspiringly danceable. "An audible mirage, close enough to grasp, yet playful in its sound," he says-a timeless auditory world filled with effortless lightness.
Two High-Caliber Remixes Enrich the Release
Bardia Salour, a pivotal figure in the Hamburg electronic music scene, picks up this sonic concept in his remix and shapes his club sound with such precision, pressure, and dynamics that it is rightfully called a club hit!
His signature acid line, combined with Jakob Seidensticker's finely tuned mix, preserves the track's masterful "darkness." This creates a stereo field that seems composed by coastal minds familiar with the rough sea. Together, they deliver a masterpiece that fully unfolds the track's dynamic energy.
Anton Kubikov demonstrates his mastery of "the art of play" with his interpretation of "Acoustic Mirage." A powerful bassline, combined with a quest for variety, dynamics, and driving dance energy, fulfills all expectations. He sets his own accents and adds vocals that accompany the listener on a journey. He speaks of a "sense of union" that, like the sounds of his piece, come and go. Kubikov evokes a sense of "another time," without losing focus on the intensely driving bass drum.
Does this point to the spiritual dimension of the bass drum as a unifying force? Do we know it? - We know it!
Thank you, Anton, for your accents!