- Digital
Britta Arnold, Tatyana (Ibiza)
Kaktus Rodeo EP
Kiosk ID
- Cat No: kioskid036
- Release: 2025-03-28
- updated:
Track List
-
1. Britta Arnold - Kaktus Rodeo
06:00 -
2. Britta Arnold - Kaktus Rodeo (Steve Challier Remix)
07:37 -
3. Britta Arnold, Tatyana (Ibiza) - Nüwa
07:18 -
4. Britta Arnold, Tatyana (Ibiza) - Nüwa (Sascha Cawa Remix)
06:18 -
5. Britta Arnold, Tatyana (Ibiza) - The Calling
06:08 -
6. Britta Arnold, Tatyana (Ibiza) - The Calling (Brian Cid Remix)
07:11
16bit/44.1khz [wav/flac/aiff/alac/mp3]
For Kiosk ID no. 36, one of the most storied Kater artists adds another chapter to her signature brand
of stripped, acid-touched Deep House, and in spectacular fashion: Britta Arnold's 'Kaktus Rodeo' is a
sprawling, hypnotic six-tracker that includes three originals and three carefully curated reimaginations
by Steve Challier, Sascha Cawa, and Brian Cid that infuses her floor-focused energy with mangled
notes of shuddering darkness.
'Kaktus Rodeo' unfolds a staccato groover built around springy figures of blips and stabs and prickly
percussion. Tongue-in-cheek, eerie, and inherently trance-inducing, Britta's title track draws its power
from an eclectic array of influences ranging from breathy hymnal voices to resonating fields of
mangled bells, all artfully suffused into a stripped, infectious groove.
Steve Challier's edit spotlights theoriginal's bubbling depths, transforming 'Kaktus Rodeo' into a dubby, circuit-bent House edition that casts a cloud of shuffling drums across deep fields of chords and rolling subs.
Cavernous and hypnotic, 'Nüwa' feat. Tatyana cycles through cascading figures of spaced-out blips
and conga hits across a darkly hovering pad. Tatyana's spoken-word mantra leads the listener through
a maze of clanging impacts anchored by an electric arp and a dubby, slow-burning groove.
Sascha Cawa's version imbues 'Nüwa' with a powerfully cinematic sense of drama. Staggered bursts of laser-
sharp synth hits and arcing swells set to a minimal, sub-heavy groove conjure a darkly oscillating
cyclone of blown-out pads, clattering percussive effects, and glitchy vocal effects.
'The Calling' feat. Tatyana contrasts biting, acid-infused stabs with a cloud of glassy synth figures.
Britta conjures an overcast flurry of clattering synths and samples atop a shuddering substructure,
combining a jarring array of elements into an eerily hypnotic dancefloor seance. Artfully coaxing the
original's revolving darkness into an anthemic framework of heavyweight drums and spaced-out pads,
Brian Cid's version moves 'The Calling' closer to peak-time territory with an artfully groovy and
approachable rendition.
Britta Arnold's productions artfully merge beautiful, groove-driven soundscapes with jarring and prickly
elements, tying it all up in an infectiously danceable and powerfully hypnotic structure. With 'Kaktus
Rodeo', she's at the apex of her craft, delivering a commanding trio of dancefloor mantras with a
cinematic set of remixes that put an inspired twist on her enrapturing style.
of stripped, acid-touched Deep House, and in spectacular fashion: Britta Arnold's 'Kaktus Rodeo' is a
sprawling, hypnotic six-tracker that includes three originals and three carefully curated reimaginations
by Steve Challier, Sascha Cawa, and Brian Cid that infuses her floor-focused energy with mangled
notes of shuddering darkness.
'Kaktus Rodeo' unfolds a staccato groover built around springy figures of blips and stabs and prickly
percussion. Tongue-in-cheek, eerie, and inherently trance-inducing, Britta's title track draws its power
from an eclectic array of influences ranging from breathy hymnal voices to resonating fields of
mangled bells, all artfully suffused into a stripped, infectious groove.
Steve Challier's edit spotlights theoriginal's bubbling depths, transforming 'Kaktus Rodeo' into a dubby, circuit-bent House edition that casts a cloud of shuffling drums across deep fields of chords and rolling subs.
Cavernous and hypnotic, 'Nüwa' feat. Tatyana cycles through cascading figures of spaced-out blips
and conga hits across a darkly hovering pad. Tatyana's spoken-word mantra leads the listener through
a maze of clanging impacts anchored by an electric arp and a dubby, slow-burning groove.
Sascha Cawa's version imbues 'Nüwa' with a powerfully cinematic sense of drama. Staggered bursts of laser-
sharp synth hits and arcing swells set to a minimal, sub-heavy groove conjure a darkly oscillating
cyclone of blown-out pads, clattering percussive effects, and glitchy vocal effects.
'The Calling' feat. Tatyana contrasts biting, acid-infused stabs with a cloud of glassy synth figures.
Britta conjures an overcast flurry of clattering synths and samples atop a shuddering substructure,
combining a jarring array of elements into an eerily hypnotic dancefloor seance. Artfully coaxing the
original's revolving darkness into an anthemic framework of heavyweight drums and spaced-out pads,
Brian Cid's version moves 'The Calling' closer to peak-time territory with an artfully groovy and
approachable rendition.
Britta Arnold's productions artfully merge beautiful, groove-driven soundscapes with jarring and prickly
elements, tying it all up in an infectiously danceable and powerfully hypnotic structure. With 'Kaktus
Rodeo', she's at the apex of her craft, delivering a commanding trio of dancefloor mantras with a
cinematic set of remixes that put an inspired twist on her enrapturing style.