- Digital
Musarc & Heleen Van Haegenborgh
Affordances
SN Variations
- Cat No: SN15DD
- Release: 2025-06-20
- updated:
Track List
-
1. Musarc & Heleen Van Haegenborgh - Material Affordance-Movement 1 of 3
03:49 -
2. Musarc & Heleen Van Haegenborgh - Material Affordance-Movement 2 of 3
02:18 -
3. Musarc & Heleen Van Haegenborgh - Material Affordance- Movement 3 of 3
03:21 -
4. Musarc & Heleen Van Haegenborgh - Implicit Affordances
04:55 -
5. Musarc & Heleen Van Haegenborgh - Pieces for Violin
03:00 -
6. Musarc & Heleen Van Haegenborgh - Possible Affordance
05:33 -
7. Musarc & Heleen Van Haegenborgh - Hidden Affordance (Instrumental)
04:20 -
8. Musarc & Heleen Van Haegenborgh - Hidden Affordance
09:55
24bit/48khz [wav/flac/aiff/alac/mp3]
Affordances presents four works written by Belgian composer Heleen van Haegenborgh for UK experimental choral ensemble Musarc between 2019–25. Scored for voices and free melodic instruments, each piece tunes into a different dimension of the vibrant and oracular polyphony of the chorus, its joyful hallucinations, its many languages and the many ways it has with the world as a body of bodies, singular and plural: at times sounding restrained and hauntingly beautiful, at other times triumphant and clear.
A new series of miniatures for violin written by van Haegenborgh especially for the album seems to look back on the process of making the music, speaking from the middle, like a mnemonic chorus of one. Recorded over two days in April 2025 at Luca School of Arts, Ghent, Affordances offers a view into Musarc's quietly radical, and maybe unrecordable, approach to what a choir can do and the unique space it can creates for artists, musicians and singers to develop new ideas.
A new series of miniatures for violin written by van Haegenborgh especially for the album seems to look back on the process of making the music, speaking from the middle, like a mnemonic chorus of one. Recorded over two days in April 2025 at Luca School of Arts, Ghent, Affordances offers a view into Musarc's quietly radical, and maybe unrecordable, approach to what a choir can do and the unique space it can creates for artists, musicians and singers to develop new ideas.