Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player
that draws a sharp line between the club and the cinema.
The 7-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neo classical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a
start-to-finish listen.
The campaign begins September 19th with the lead single "Improperly Planned Experience", an industrial leaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it
sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same
day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual
artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to
the micro-gestures that run through the album. The performance is built around custom stems, live
resampling, and dynamic lighting cues that mirror the music's push and pull.
Across the LP, Clark threads field-recorded texture with precision drum programming and layered
harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool
and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of
clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.
For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while
opening a more composition-driven lane. For listeners who followed LOFN's 2021 release, this solo debut
widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on
tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and
color to render the music's internal logic in real time.