• 12inch
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SUNP0101

  • Cat No: DEX004
  • updated:2018-09-06

Format

12inch ---- JPY

シンセサイザー・レゲエ。聞いたことの無い感じの面白いサウンド。グラスゴーのGRIM LUSK。

OPTIMO MUSICからリリースしたPUSSY MOTHERSの一人でもあり、DIP FRISO名義でLO-FIなインダストリアル・ダブ、ユニークなサウンドのカセットもリリースしているグラスゴーのMURRAY COLLIERのニュープロジェクト!シンセを手にした80年代のDIYなアーチストたちが産み出した音楽のようなハンドクラフトな音の感触、エレクトロニック・ファンク、ダブ、エレクトロ、ウェイヴなユニークサウンド。おすすめ! (サイトウ)

Next up we'll be switching the format and presenting to you our first ever vinyl release. We're absolutely thrilled that Grim Lusk will be bestowed with that honour, and we couldn't be any more proud.

For those who are already familiar with Grim Lusk's varied recording projects, established elements are further developed as sublimely demonstrated on the sample and loop based 'Search', a dub / lo-fi hip-hop excursion that shuffles and shimmers before becoming more narcotically lysergic. Free from constraints, we transcend into 'It's My Nature', as all of that serotonin depletion is suddenly transformed into nutritional sustenance. A gleaming, hallucinogenic, hypnotic collage of exotic rhythmic disco percussion patterns which blossom and take flight to the sky above like the wildlife on the front sleeve with uninhabited adventure and freedom; a luscious, evocative, beguiling anomaly. 'Sea Club-Rush' develops the experimental shape shifting, with a dense, sludgy quagmire of oddball techno discombobulations, before the record submerges into the deepest of voids, a k-hole induced sense of purposeful confusion and disorientation.

Depressurized as if drifting in the mysterious vacuum of space whilst subtle layers of distorted bass prod at you to keep you afloat, 'It's Happening' utilises a descending Risset glissando to leave you barely clinging on to reality, almost as if you are experiencing an astral projection but trapped within a detached nightmare that you can't escape. 'Yes He Did' has an infectious and killer bouncing boogie bass guitar spread over a lopsided beat which never quite settles; weaving in and out further bewitching your mind. The record culminates in the downtempo 'Laces', pulling you into the all-consuming squelch and pressure of the suction below; a claustrophobic suffocation that intensely builds up suspense, squeezing and melting as it develops. Reminiscent of Sherwood's exceptional technique of incisively slicing, cutting and pasting manipulated dub / industrial percussion, 'Laces' works equally well at 45rpm.

In its fullness, the sounds presented on 'SUNP0101' are an intoxicating slip down a neon-lined chute into eternal dance floor darkness. Immaculate sleeve artwork by Australian-born, London-based designer Brodie Kaman.

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