- LP
- Recommended =
- New Release
Ailie Ormston
The Sedate
50% Pure
- Cat No: 50PURE002
- 2019-01-29
RUSSELL HASWELLばりに歪んだRAWな鳴りのアングラ、スカム感!こんなことやっちゃう?とついつい笑っちゃう変レコ。
The Sedate / Tony Soprano Fashion Inspo. serves as a solo release from Ailie Ormston of ******** / GUINNESS [Domino Recording Co.]. Comprised of two separate projects, the works coalesce to provide highly surged compositions. The tracks were co-written alongside one drum machine and one synth, embracing elements of chance and coincidence. Writing and recording came simultaneously, a production line of spontaneous melodies with realtime decision making ultimately determining how it sounded, as opposed to preconceived ideas.
Ormston intends to confront the traditions of presenting, performing and digesting music in an attempt to articulate a form of a contemporary condition. She aims to construct a coherent visual language that corresponds to music writing, carrying its ethos into different forms and varying modes of communication.
Side A - 001, 002, 003 and 004 were composed specifically for The Sedate, a work by artists Stasis, developed throughout 2018, concluding as a short film and a performance on a building site in Merchant City, Glasgow. Heavy drums, tiny handbags, choral synths, big earrings, a fight scene, a breather and finally, La Macarena. They are listed here in order of appearance.
Side AA - A32, A18, A67, B12 and B34 were composed in short succession post Side A, collectively known as Tony Soprano Fashion Inspo. Providing increasingly convoluted textures and arching narratives, these tracks are challenging in their multiplicity, with contrapuntal instrumentation being heard simultaneously. Multitasking is encouraged. Physical renditions of each track were realised and presented as an exhibition, An oat latte, but with no image in the foam at Market Gallery, Glasgow. An accompanying text written during this residency can be found alongside the release.
Ormston intends to confront the traditions of presenting, performing and digesting music in an attempt to articulate a form of a contemporary condition. She aims to construct a coherent visual language that corresponds to music writing, carrying its ethos into different forms and varying modes of communication.
Side A - 001, 002, 003 and 004 were composed specifically for The Sedate, a work by artists Stasis, developed throughout 2018, concluding as a short film and a performance on a building site in Merchant City, Glasgow. Heavy drums, tiny handbags, choral synths, big earrings, a fight scene, a breather and finally, La Macarena. They are listed here in order of appearance.
Side AA - A32, A18, A67, B12 and B34 were composed in short succession post Side A, collectively known as Tony Soprano Fashion Inspo. Providing increasingly convoluted textures and arching narratives, these tracks are challenging in their multiplicity, with contrapuntal instrumentation being heard simultaneously. Multitasking is encouraged. Physical renditions of each track were realised and presented as an exhibition, An oat latte, but with no image in the foam at Market Gallery, Glasgow. An accompanying text written during this residency can be found alongside the release.
ドラムマシンを手打ちで録音したようなずっこけリズムのスカムさのあるオープニングトラックに続き、A2では比較的ダンスでも使えそうなレフトフィールドなトラック。RUSSELLにも近い、わざと歪ませた独特な鳴りが好きな人にはハマりそう。他にも細かくシンセサイザーが刻まれて左右に動き回ったり、スカスカな音間に別のBPMで進行する実験などしている曲など地味にセンスが良い。スカムとダンスのギリギリな狭間の快楽。 (日野)