• 2LP
  • Digital


Nova + 4

  • Cat No: WRWTFWW028
  • Release: 1986-06-26

Format

Digital 2180 JPY

日本産、環境音楽の名盤。YUTAKA HIROSE(広瀬豊)がミサワホームのために製作した1986年の「Soundscape 2: Nova」に未発表の音源を加えた2LP。〈WE RELEASE WHATEVER THE FUCK WE WANT RECORDS〉から。

83年の「Pier & Loft」や、82年の「Music For Nine Post Cards」がアナログ再発されてきた吉村弘が製作した第1弾に続いて、ミワサホームのために広瀬豊が製作した「Soundscape」シリーズの第2弾。86年の作品をシンセサイザーと、住宅展示場でのBGMとしての使用目的だったそうで、自然音、雑踏などのフィールドレコーディングも交えながら、深いサウンドスケープ。未発表の4曲を加え、本人への日本語でのインタビューと当時の写真のインサートシート、内側に英語訳をのせた見開きスリーヴの2LP。 (サイトウ) (2LPのコメントから参照)

WRWTFWW Records is blissful to announce the expanded reissue of one of the most fascinating Japanese ambient/environmental albums ever made, NOVA + 4 by Yutaka Hirose. The album includes the album known as Soundscape 2: Nova, sourced from its original masters, as well as 50 minutes of never-released-before recordings.

Initially released in 1986 as part of the Soundscape series commissioned by Misawa Home Corporation for use in their prefabricated houses, Yutaka Hirose?s NOVA has grown to become a mythical piece of the Japanese minimalist/ambient/environmental scene of the eighties. Initiated around the enchanting landscapes of the two first tracks recorded for the project, "Nova" and "Epilogue", Yutaka Hirose?s magnum opus serenely blends vintage synth with nature sounds, exploring soothing palettes and organic backdrops. For "Slow Sky", Hirose explains he "went for a pointillism-like sound, and tried to express a scenery of awakening, where the portal of a heart is opening up", while on "Humming The Sea", he "tried to compose a kind of music that expresses the daily, lazy life of child-like innocence in a summer vacation in some small town."

This expanded version of the album includes four long unreleased pieces created around the same period of time for installations, described by Yutaka Hirose as "not music per se but rather sound sculptures", and including the haunting "Shadow Of A Water Droplet" which was recorded for an Ikebana exhibition.
All in all, NOVA + 4 is a transcendent experience of nature in the urban context, an oeuvre which, much like Midori Takada?s Through The Looking Glass or Satoshi Ashikawa?s Still Way, holds the power to appease the soul in turbulent times. As one inspired YouTube commenter once said when describing Yutaka Hirose?s masterstroke: "I can't tell if the birds are singing inside or outside! Thank you!"

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