- LP + DL
- Recommended
- Back In
The Same
Sync or Swim
Freedom To Spend
- Cat No: FTS017
- 2021-08-03
RIMARIMBAのROBERT COX達のオブスキュアな素晴らしい音源が発掘！歪んだ音の渦とグルーヴのSAMPLE2筆頭に、80S 英国サイケデリック、ユニークな一枚。PETE SWANSONとLITTLE AXE RECORDS/のJED BINDEMANがRVNG INTL.と組んでおくる〈FREEDOM TO SPEND〉から、アナログ再発。
Track List
Before there was Rimarimba, Suffolk-born, Felixstowe-based musician and home recording enthusiast Robert Cox assembled a cast of friends, some musicians and some not so much, for an experiment in group exploration and ecstatic expression under the name The Same. Sonically and gravitationally defined by Cox’s collaboration with guitarist Andy Thomas (a partnership which formed in 1976 to record as General Motors), Sync or Swim, The Same’s one and only album, also featured keyboards by Florence Atkinson and Paul Ridout, and vocals by Robert’s sister Rebecca.
Originally released in small cassette and vinyl quantities on Unlikely Records, Cox’s imprint and a meeting point for many other musicians found at the fringe, the back cover of the original album jacket is as much a map of the personnel, place, and process fundamental to Sync or Swim as it is a table of contents for DIY music-making at the beginning of the 80s: “Recorded in peaceful Wiltshire between September 18th and October 6th 1981 (using a miscellany of home made devices) onto a Teac A-3300SX via a Teac A-3440. No noise reduction systems were used.”
Cox’s own definition of British psychedelia is “folk music meeting technology and going bonkers.” It’s by this definition that Sync or Swim takes unexpected forms, from tape-speed tomfoolery, concrète sound collage and analog delayed marimbas, to the colorful spectrum of interwoven guitar play between Cox and Thomas reminiscent of Ghanaian Highlife but more accurately indebted to Jerry Garcia.
On the album’s culminating final track, “E Scapes,” all of these elements are brought together in twenty-minute journey through layers of chiming guitar loops and spritely solos, keyed percussion, and tape experiments, all played as though the sun were rising over the standing stones of Salisbury Plain. Cox would later go to similarly greath lengths with certain solo sound endeavors, but the confluence of musicians on “E Scapes” pushes the piece to exceptional, unforgettable heights.
Transferred and remastered from the original tapes, The Same’s Sync or Swim arrives June 4, 2021 on Freedom To Spend, just in time for the album’s 40th anniversary.
Originally released in small cassette and vinyl quantities on Unlikely Records, Cox’s imprint and a meeting point for many other musicians found at the fringe, the back cover of the original album jacket is as much a map of the personnel, place, and process fundamental to Sync or Swim as it is a table of contents for DIY music-making at the beginning of the 80s: “Recorded in peaceful Wiltshire between September 18th and October 6th 1981 (using a miscellany of home made devices) onto a Teac A-3300SX via a Teac A-3440. No noise reduction systems were used.”
Cox’s own definition of British psychedelia is “folk music meeting technology and going bonkers.” It’s by this definition that Sync or Swim takes unexpected forms, from tape-speed tomfoolery, concrète sound collage and analog delayed marimbas, to the colorful spectrum of interwoven guitar play between Cox and Thomas reminiscent of Ghanaian Highlife but more accurately indebted to Jerry Garcia.
On the album’s culminating final track, “E Scapes,” all of these elements are brought together in twenty-minute journey through layers of chiming guitar loops and spritely solos, keyed percussion, and tape experiments, all played as though the sun were rising over the standing stones of Salisbury Plain. Cox would later go to similarly greath lengths with certain solo sound endeavors, but the confluence of musicians on “E Scapes” pushes the piece to exceptional, unforgettable heights.
Transferred and remastered from the original tapes, The Same’s Sync or Swim arrives June 4, 2021 on Freedom To Spend, just in time for the album’s 40th anniversary.
イギリス、フェリクストウのホームレコーディング愛好家ロバート・コックスとギタリストのアンディ・トーマスとのコラボレーションThe Sameの唯一のアルバム「Sync or Swim」。マリンバ、シンセサイアザー、ギター、オープンリールのアナログ・ディレイ、カセットデッキなども使用しながら、ミュジック・コンクレート・サウンド・コラージュ。アフリカの電化下したハイライフのようですが、ロバート・コックス本人曰くむしろジェリー・ガルシアの影響を反映しているそう。"英国のサイケデリアとはフォークミュージックがテクノロジーと出会い、気が狂ったようになること"と語っています。インディペンデントなサイケデリック・ギターミュージックの魅力、そして驚くべき一枚。そしてえちゃくちゃ巧いとかではないですがマジカルなポリ・ギターサウンドの魅力があります。 (サイトウ)