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Murmuration Without End

  • Cat No: CS-IARC0075
  • updated:2024-07-03

Format

CASSETTE ---- JPY

Daniel VillarrealやBex Burch などのInternational Anthem作品にも参加しているLAのBen Lumsdaineのソロ。カセットテープでリリースされました。ジャズ、アヴァンギャルド、ポストパンク、ディスコ、現代音楽も影響がクロスしながら歴史を刻んだ80s NYCを思わせます。

International Anthem関連の諸作品、Durand Jonesの新作アルバムのプロデュース/サポートなど、プロデューサー、エンジニア、ドラムを中心にマルチに楽器をこなすミュージシャンとして様々なプロジェクトに関わるBen Lumsdaineのソロ名義でのリリース。友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったという音をベースに、アフロ・キューバンのスピリチュアルミュージック、サンテリアのbata rhythmsにインスパイアされ、打楽器が主体ではないポリリズムのマルチ・テクスチャー、リズムを構築している。トランス探求。ユニークな音楽が産まれています。 (サイトウ)

Track List

  • A1. Dallas

  • A2. Myopic

  • A3. Renormalizer

  • A4. Tough One

  • A5. Here's Your Next Clue

  • B1. Dallas

  • B2. Myopic

  • B3. Renormalizer

  • B4. Tough One

  • B5. Here's Your Next Clue

Murmuration Without End is a collection of rhythmic studies by producer, composer, percussionist & multi-instrumentalist Ben Lumsdaine.

Whereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).

Inspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.

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