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La Triunfadora
Clásicos Sentimentales Para Una Nueva Generación
Names You Can Trust
- Cat No: NYCT7090
- 2024-09-28
ロマンティックな1950年代フィーリン時代のキューバン・ボレロを1960年代ニューヨリカン・ストリートソウル/スウィートソウル・マナー、さらには、まるでファンカディック・マゴットブレイン感覚でスローモーションにスクリュードされたようなサイケデリック時空のねじ曲がった新感覚ながらも、どこかノスタルジックに魅了されるロマンチカ魅惑音世界。推薦盤。
Sweet soul and sentimental music has never really gone out of style, and in the particular cases of the innovative wave of 1950's filin era Cuban boleros, or 1960's Nuyorican street soul, they both remain a thriving beacon of timelessness and universality, capturing a particular style of breezy Caribbean romantic music that has stubbornly thrived in the tough concrete landscape of New York City.
Perhaps there is some love in the heart of the city, as the new ensemble La Triunfadora has managed to tap into something of significant substance on their debut recording, Clasicos Sentimentales Para Una Nueva Generación. Co-produced by band leader Benjamin R. Juliá and renowned talent William Holland aka Quantic (recorded and mixed at the latter's Selva Recording studio in Brooklyn), the group has managed to capture the essence of this reemerging style of classic music, while further injecting their own inspired vision of experimental and psychedelic arrangements.
On A-side display for this debut 7-inch release on Names You Can Trust are two canonized Cuban boleros from maestro composer and guitarist Cesar Portillo De La Luz, stacked together in an old school continuous medley, and transformed with lush orchestration that has the talented musicians sparkling behind the duet of lead vocalists Candace Camacho and bandleader Juliá.
The B-side jumps from 1950's filin into Ralfi Pagan's iconic 1969 latin soul masterpiece "Hijo De Mama." Once again La Triunfadora peppers in just enough exquisite arrangements and musicianship to transform the original into something fresh, yet still guided from an analog sensibility, and ultimately performed with a familiar romanticism that these classic lovers' songs have managed to express over the decades to different generations.
Perhaps there is some love in the heart of the city, as the new ensemble La Triunfadora has managed to tap into something of significant substance on their debut recording, Clasicos Sentimentales Para Una Nueva Generación. Co-produced by band leader Benjamin R. Juliá and renowned talent William Holland aka Quantic (recorded and mixed at the latter's Selva Recording studio in Brooklyn), the group has managed to capture the essence of this reemerging style of classic music, while further injecting their own inspired vision of experimental and psychedelic arrangements.
On A-side display for this debut 7-inch release on Names You Can Trust are two canonized Cuban boleros from maestro composer and guitarist Cesar Portillo De La Luz, stacked together in an old school continuous medley, and transformed with lush orchestration that has the talented musicians sparkling behind the duet of lead vocalists Candace Camacho and bandleader Juliá.
The B-side jumps from 1950's filin into Ralfi Pagan's iconic 1969 latin soul masterpiece "Hijo De Mama." Once again La Triunfadora peppers in just enough exquisite arrangements and musicianship to transform the original into something fresh, yet still guided from an analog sensibility, and ultimately performed with a familiar romanticism that these classic lovers' songs have managed to express over the decades to different generations.
Quantic(William Holland )とバンド・リーダーBenjamin R. JuliáによるプロデュースによるNYブルックリンの新しいアンサンブル・グループ、La TriunfadoraによるNames You Can Trustからのデビューシングル。
A面には、巨匠作曲家/ギタリスト・レジェンドCesar Portillo De La Luzの定番キューバン・ボレロ2曲のメドレー「Delirio-Contigo En La Distancia」(sample1)をスローモーション・スウィート・サイケデリックにカバー(sample1)、B面にでは、1950 年代、ブラジルでボサノヴァが生まれた同時期にキューバにて、ボレロやトローバなど大衆歌謡がジャズなどの影響を受けて洗練の極みで誕生した音楽スタイル”フィーリン”から、Ralfi Paganによる 1969年傑作名曲「Hijo De Mama」を取り上げてロマンティック・エレガント見事なまでに濡れ濡れモダン・カバー(sample2)仕上げてくれている。今後の活動も非常に楽しみです。円安の関係もあってお値段非常に高くなっておりますが、これは7インチで針音と一緒にプレイしたい一枚となりそうです。 (コンピューマ)