- LP
- Digital
- Recommended
Maffi
Mastermind Computer Style
Jahtari
- Cat No: JTRLP15
- Release: 2024-07-23
- 2024-10-28
ユニーク、コンピューターライズド・ダンスホール。ヴォンテージなリズムマシーン、シンセサイザーを駆使するデンマークの異色のデジタル・レゲエ・アーチストMaffiのアルバム。
Track List
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A1. Ghetto Riddim
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A2. Skudduel Riddim
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A3. Bling Riddim
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A4. King Riddim
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A5. Morkt Igen Riddim
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B1. Asoni Riddim
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B2. Jon Jovi Riddim
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B3. Another Lara Riddim
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B4. Faktura Riddim
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B5. The Dream Commodore Riddim
>> 24bit/44.1khz [wav/flac/aiff/alac/mp3]
Ten unreleased deadly digi riddims from the myspace era by Copenhagen’s Maffi crew, dubbed out into 3D space by disrupt in 2024.
Taking its name from a crucial Firehouse mixtape series, “Mastermind Computer Style” is full of raw nuggets of simplistic beauty, all made in trusty Propellerhead Reason between 2006 and 2009. Some of these riddims were a firm part of early Jahtari live shows, played out on sound systems all over the globe, but never have been cut to vinyl until now.
Watch out for heavy synth driven 8-bit floaters like “Morkt Igen” or “Another Lara”, a Disco Dub version of the Kashif bomb “I’m in Love” by Evelyn King. And check oddities like “Skudduel” or “Jon Jovi”, an alien mutation of the Jon Bon riddim which became Solo Banton’s classic “Talk To Me“.
Raw, primitive CyberDancehall at its best, nostalgic and oddly futuristic at the same time, this album is quickly becoming RoboCop’s favourite playlist when going to work.
Taking its name from a crucial Firehouse mixtape series, “Mastermind Computer Style” is full of raw nuggets of simplistic beauty, all made in trusty Propellerhead Reason between 2006 and 2009. Some of these riddims were a firm part of early Jahtari live shows, played out on sound systems all over the globe, but never have been cut to vinyl until now.
Watch out for heavy synth driven 8-bit floaters like “Morkt Igen” or “Another Lara”, a Disco Dub version of the Kashif bomb “I’m in Love” by Evelyn King. And check oddities like “Skudduel” or “Jon Jovi”, an alien mutation of the Jon Bon riddim which became Solo Banton’s classic “Talk To Me“.
Raw, primitive CyberDancehall at its best, nostalgic and oddly futuristic at the same time, this album is quickly becoming RoboCop’s favourite playlist when going to work.
2006から、2009年にかけて制作した音源をもとに、リアレンジ、ダブ化。ロウビットのコンピューターサウンド、シンセサイザーとレゲエ、ダンスホールへの愛情たっぷり。 (サイトウ)