- Digital
Austin Cesear
Cruise Forever
Public Information
- Cat No: PUBINF005
- Release: 2014-06-23
- updated:
Track List
-
1. Austin Cesear - Cloud Hall
05:10 -
2. Austin Cesear - If You Knew What You Would Do
00:48 -
3. Austin Cesear - The Groove
05:07 -
4. Austin Cesear - Forest Forever
01:58 -
5. Austin Cesear - Peralta Palace
03:43 -
6. Austin Cesear - The Beast
03:56 -
7. Austin Cesear - Mountain Ascension
02:03 -
8. Austin Cesear - Shut In
09:10 -
9. Austin Cesear - In the Depths of the Ocean Is Our Capitol
02:54 -
10. Austin Cesear - Travellers in Faith Dub
02:25
16bit/44.1khz [wav/flac/aiff/alac/mp3]
In January 2012 we released a 35-track compendium of F.C. Judd’s music and sound, it was called Electronics Without Tears. Fast forward to Spring 2013 and we are back with Fred for a very special LP to reignite his legacy.
For our tenth release we asked some of our favourite artists working today to submit a reinterpretation of the greatly undervalued early electronics pioneer, Frederick Charles Judd. We gave them Fred’s entire archive of sounds, tone experiments, field recordings and lectures and left it up them to produce an audio artefact befitting of Judd himself.
The players invited: Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music, Peter Rehberg, Bandshell, Ekoplekz, The Boats, Leyland Kirby, Karen Gwyer and Ian Helliwell.
Interpretations On F.C. Judd opens with Fred himself, welcoming us into his world before Ian Helliwell takes us into a fractured loop of radio static and gargled musique concrete.
From here we lurch through pure tape trips (Leyland Kirby, Chris Carter) dubwise refractions (Karen Gwyer, The Boats, PCA), haunted never-zones (Ekoplekz, Mordant Music, Perc), sublime vocal deconstructions (Holly Herndon) and frightening slashes of electronic deviance (Peter Rehberg, Bandshell).
Throughout Inspirations, Fred is never far away, reminding us how important visionaries like him stalk even the most future-bound of electronic music.
For our tenth release we asked some of our favourite artists working today to submit a reinterpretation of the greatly undervalued early electronics pioneer, Frederick Charles Judd. We gave them Fred’s entire archive of sounds, tone experiments, field recordings and lectures and left it up them to produce an audio artefact befitting of Judd himself.
The players invited: Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music, Peter Rehberg, Bandshell, Ekoplekz, The Boats, Leyland Kirby, Karen Gwyer and Ian Helliwell.
Interpretations On F.C. Judd opens with Fred himself, welcoming us into his world before Ian Helliwell takes us into a fractured loop of radio static and gargled musique concrete.
From here we lurch through pure tape trips (Leyland Kirby, Chris Carter) dubwise refractions (Karen Gwyer, The Boats, PCA), haunted never-zones (Ekoplekz, Mordant Music, Perc), sublime vocal deconstructions (Holly Herndon) and frightening slashes of electronic deviance (Peter Rehberg, Bandshell).
Throughout Inspirations, Fred is never far away, reminding us how important visionaries like him stalk even the most future-bound of electronic music.