- 2LP
- Recommended =
- New Release
Asher Gamedze & The Black Lungs
Constitution
International Anthem
- Cat No: IARC0084LP
- 2024-09-23
先鋭ジャズ、シカゴ・ポスト・ロックの流れも汲むレーベル〈International Anthem〉から、南アフリカのパーカッショニスト、作曲家のアッシャー・ガメデゼと10人編成のThe Black Lungsのニューアルバム。魔法のような時間進行、音の世界。
Track List
This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057/M3H013), and his first with The Black Lungs, a ten-piece ensemble. The album – recorded in one day at Cape Town’s Sound and Motion Studios – is an elaboration of the possibilities of autonomous constitution in and through polyrhythmic, modal, large ensemble music.
Gamedze holds down duties on the drum kit, joining with Ru Slayen (percussion), Sean Sanby (bass), and Nobuhle Ashanti (piano) breathing together to cohere in what would otherwise be called a rhythm section. The ensemble is expanded by more breath - horns and voices. Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words) collectively explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams - curious and instantiative, melancholic and emergent.
As Moten puts it, “this polyrhythmic but also always polyphonic critical joining – this re-assemblage of ensemble, this loving violation – lets the nightmares of individuation all unravel.” The Black Lungs join a tradition of sound, struggle and thought that is constituted by this very process of unraveling the isolating questions of isolated philosophers: “Is Socrates happy?”; “Does the dialectician have a sound?” On Constitution, the power of the question, the possibility of an improvised answer and the celebration of being together exists not in the solo but in the group, the ensemble.
This is a theme present not just throughout Constitution, but in all of Gamedze’s work. “The ensemble experience of study and struggle is the basis of my thought and everything I try to do in this mad world,” he says in the album’s liner notes. Further situating the sound and the impulse of the ensemble within the multitudinous terrains of the historical and ongoing struggles of the dispossessed, he explains that “The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration - the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”
Tumi Pheko – cornet
Garth Erasmus – alto saxophone
Jed Petersen – tenor saxophone
Ru Slayen – percussion
Athi Ngcaba – trombone
Tina Mene – vocals
Fred Moten – words
Nobuhle Ashanti – piano
Sean Sanby – bass
Asher Gamedze – drums
All compositions, concepts and arrangements by: Asher Gamedze
Words by: Fred Moten
Cover and insert artwork by: Leila Khan (Kanaladorp Press)
Layout by: Craig Hansen
Recorded by: Carl Roberts and Finn Esterhuizen at Sound and Motions Studios, Cape Town, 15 June 2023
Produced by: Asher Gamedze
Mixed by: Carl Roberts
Mastered by: David Allen
A&R by: Scott McNiece
Gamedze holds down duties on the drum kit, joining with Ru Slayen (percussion), Sean Sanby (bass), and Nobuhle Ashanti (piano) breathing together to cohere in what would otherwise be called a rhythm section. The ensemble is expanded by more breath - horns and voices. Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words) collectively explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams - curious and instantiative, melancholic and emergent.
As Moten puts it, “this polyrhythmic but also always polyphonic critical joining – this re-assemblage of ensemble, this loving violation – lets the nightmares of individuation all unravel.” The Black Lungs join a tradition of sound, struggle and thought that is constituted by this very process of unraveling the isolating questions of isolated philosophers: “Is Socrates happy?”; “Does the dialectician have a sound?” On Constitution, the power of the question, the possibility of an improvised answer and the celebration of being together exists not in the solo but in the group, the ensemble.
This is a theme present not just throughout Constitution, but in all of Gamedze’s work. “The ensemble experience of study and struggle is the basis of my thought and everything I try to do in this mad world,” he says in the album’s liner notes. Further situating the sound and the impulse of the ensemble within the multitudinous terrains of the historical and ongoing struggles of the dispossessed, he explains that “The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration - the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”
Tumi Pheko – cornet
Garth Erasmus – alto saxophone
Jed Petersen – tenor saxophone
Ru Slayen – percussion
Athi Ngcaba – trombone
Tina Mene – vocals
Fred Moten – words
Nobuhle Ashanti – piano
Sean Sanby – bass
Asher Gamedze – drums
All compositions, concepts and arrangements by: Asher Gamedze
Words by: Fred Moten
Cover and insert artwork by: Leila Khan (Kanaladorp Press)
Layout by: Craig Hansen
Recorded by: Carl Roberts and Finn Esterhuizen at Sound and Motions Studios, Cape Town, 15 June 2023
Produced by: Asher Gamedze
Mixed by: Carl Roberts
Mastered by: David Allen
A&R by: Scott McNiece
2020年に〈On The Corner Records〉からリリースされ2023年に〈International Anthem〉からもリリースし直したAsher Gamedzeの、ポエトリー、エジプトのエクスペリメンタルシーンのキーマンMaurice Louca、Sublime Frequencies/Sun City Girlsのアラン・ビショップも参加したソロ名義のアルバム「Dialectic Soul」に続いて〈International Anthem〉からのニューアルバム。シンガーTina Mene、そしてスポークン・ワードFred Motenを全編にフィーチャリング。
『「ポリリズムでありながら、常にポリフォニックな批評的結合は、アンサンブルの再構築、愛情に満ちた違反は、個体化の悪夢を解きほぐす」。The Black Lungsは、孤立した哲学者たちの孤立した問いを解きほぐす、まさにこのプロセスによって構成される音、闘争、思考の伝統に加わっている: 「ソクラテスは幸せか?」「弁証法者は音を持つか?」 コンスティテューションでは、質問の力、即興的な答えの可能性、そして共にあることの祝祭は、ソロではなくグループ、アンサンブルの中に存在する。(インフォメーションの翻訳より)』
という70sのアフリカン・アメリカンにも通じる 白人至上主義と人種資本主義に対抗するブラック・スピリチュアルを背景に、ミステリアスな世界へ音の実験を繰り広げている。推薦盤。 (サイトウ)