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Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940

  • Cat No: DEATH109
  • updated:2025-07-10

Format

Cassette 2890 JPY

アンデスを代表するベルー音楽ワイニョ(Huayno)唯一無二のアンデス・ギター名手ラクタコとして知られる故アルベルト・ユスカマイタ・ガステルーと、サウンド・オブ・ジ・アンデス名人ハンケル・ベリドの二人が、1930-40年代にDIYホームレコーディングしていた貴重なる文化遺産録音が初カセット・リリース!!!from Death Is Not The End.

植民地時代のアンデスにて、先住民族達のルーツ音楽とヨーロッパ入植者がもたらした影響を融合し始めたことから、ペルー南部アンデスのアヤクーチャ地方の伝統音楽・ハープの調弦、指使い、リズムが、スパニッシュ・ギター、リュートやヴァイオリン、アコーディオンといった楽器やテクニックと融合することで誕生した音楽の貴重なる記録。イントロダクション含めた11曲を収録。望郷麗しい。 (コンピューマ)

Track List

  • 1. Intro

    00:56
  • 2. A1

    03:31
  • 3. A2

    02:53
  • 4. A3

    02:46
  • 5. A4

    01:51
  • 6. A5

    01:56
  • 7. B1

    02:01
  • 8. B2

    04:27
  • 9. B3 (Valicha)

    02:44
  • 10. B4

    01:39
  • 11. B5

    03:12
Huayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.

The late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian Andes. His unique style also blended techniques from the Spanish lute and other instruments brought by colonisers, such as the violin and accordion. For over a century, Raktako preserved Ayacucho's musical traditions and the Andean guitar form.

In 2022, the last disciple of Raktako, Gustavo Yashimura, shared with Sound of the Andes' Hánkel Bellido a series of astonishing home recordings made by Raktako between approximately 1930 and 1940. These recordings, made with the sparsest of equipment, had never been published before and represent an invaluable cultural treasure. The guitarist, who lived for over 100 years and passed away in 2023, had been largely forgotten until recently, when the Ministry of Culture of Peru officially recognised him as Meritorious Personality of Culture. His legacy, which includes a profound influence on Peruvian music, especially the Ayacucho guitar tradition, is finally being acknowledged.

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