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Cycle

  • Cat No: WSDM026
  • 2024-06-20

日本が誇るアンビエント作家H.TAKAHASHIとKOHEI OYAMADAからなるユニットプロジェクト”H TO O”がローンチ!繊細かつ耽美にデザインされたシンセサイザーとミニマル手法。国産環境音楽の歴史を引き継ぎながら、現代ダンスフロアの文脈でも機能するシネマティックなサウンドスケープを完成させています。FACTA&K-LONE主宰〈WISDOM TEETH〉より!

〈WHERE TO NOW?〉〈DAUW〉からの作品やUNKNOWN MEメンバーとしての活動、そして三軒茶屋”KANKYŌ RECORDS”オーナーとしてもジャパニーズアンビエントミュージックに影響を与えてきた音楽家H.TAKAHASHIとKOHEI OYAMADAからなる新ユニットがデビューアルバムをローンチ!国産環境音楽に系譜する美しいシンセスケープに、心地よいミニマリズム。モダンダンス前線〈WISDOM TEETH〉という舞台が作用する、リズミカルなアプローチ、反復による覚醒効果。ダンス的文脈からも味わえるシネマティックサウンド。トラックリストからも是非。 (Akie)

Facta & K-LONE’s Wisdom Teeth imprint continues its busy schedule of 10 year celebrations with the debut LP by H TO O: a new collaborative project by Japanese ambient artists H. Takahashi and Kohei Oyamada.

Already an established name on the Japanese ambient circuit, Takahashi is well known for founding the much-loved Kankyō Records label and store in Tokyo’s Sangenjaya district, and for releasing a string of acclaimed solo LPs on revered record labels like Where To Now? and Dauw. Having been introduced to Oyamada through a mutual friend, the pair began recording together in 2019 as part of the live electronics group Atoris. Cycle marks their first release as a duo, and signals an exciting new direction for their creative work together.

Set across six distinct movements, the LP maps the different stages of the cosmic cycle through a series of dynamic ambient set pieces: from the exponential expansion of the universe in its infancy - here invoked by the bright, chiming album opener ‘Inflation’ - through to it’s inevitable collapse and rebirth, captured by the record’s driving, ominous closer, ‘Ever’.

The record started life in Takahashi’s hands, initially intended as a solo follow-up to his acclaimed 2018 LP, Escapism. He shared his early sketches with Oyamada, who began to play with the arrangements, taking the work in an experimental new direction. Naturally the project evolved into a cooperative effort, and its final form is the result of an honest and fluid back-and-forth between the two artists.

The collaboration marks a considerable shift in energy to the artists’ previous works - most of all in its foregrounded use of rhythm. Where Escapism was built from a series of gently lilting, dream-like vignettes, each movement of Cycle has a clear sense of forward momentum and purpose. Each composition builds from a set of sparse, meandering elements into something more dense, cinematic and, at points, discordant. Although this is at heart an ambient record, there is a club-informed feeling of forward motion running through the record, placing it in a similar sonic world to the beatless-but-rhythmic ambient techno of artists like Barker, Lorenzo Senni and Sunareht. Delicate and dramatic in equal measure, Cycle is a vital and exciting debut dedicated to the building of worlds - and to their eventual and inevitable dissolution.

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