• 2CD (予約)


snowflakes & dog whistles - best electroacoustic ambient & sexpanic 1995-2017

  • Cat No: C.035
  • 2024-12-02

Format

2CD 3000 JPY

Track List

  • CD. 1: Snowflakes

  • 1. Means From an End I: Means from an End 1998

    10:25
  • 2. Entre l'Action et le Deuil.001 2000

    2:13
  • 3. Resistance to Change III: Resignation 1998

    3:16
  • 4. Resistance to Change IV: Tranformative Nostalgia 1998

    3:07
  • 5. Residual Expectation [Edit] 1997

    6:33
  • 6. Agnostiko sa Dabaw [Edit] 2012

    5:55
  • 7. Rambles (Down in the Park) [Edit] 1999

    8:17
  • 8. Canto I: Rosary Novena for Gender Transitioning (Alt. Ver.) [Edit] 2012

    17:29
  • 9. Means From an End VI: End to a Means 1998

    8:15
  • 10. The Dream Will Carry Me [Edit] 2000

    1:15
  • 11. Homeward [Edit] 2000

    6:20
  • 12. A Quiet of Intimacy Mirrors Distance [Edit] 2000

    5:22
  • CD. 2: Dog Whistles

  • 1. Means From an End IV: Means to a Means 1998

    7:37
  • 2. One (Strength in Numbers) 1999

    3:45
  • 3. There Was a Girl/There Was a Boy.INTERSEX 2000

    5:38
  • 4. What is Between is Missing 1998

    7:35
  • 5. Genrecide (I Wish Tricky'd Die Any Way I Hope) [Edit] 1999

    5:20
  • 6. Cycles [Edit] 1995

    3:55
  • 7. Names Have Been Changed [Edit] 2017

    6:55
  • 8. Little Girls Couldn't Murder Anyone [Edit] 2007

    5:35
  • 9. Admit It's Killing You (And Leave) [Edit] 2017

    3:08
  • 10. Taking Stock in Our Pride 1999

    2:47
  • 11. There Was a Girl/There Was a Boy.WENDY 2000

    2:05
  • 12. Trans Am (Transgendered American) [Edit] 1997

    3:24
  • 13. She Maybe May Be... [Edit] 1999

    4:03
  • 14. D.C. D.O.A. 1997

    1:10
  • 15. Facilitator [Edit] 1997

    5:13
  • 16. Between Empathy And Sympathy Is TIme (Apartheid) [Edit] 2003

    4:32
  • 17. Schizophonalysis 2000

    5:34
The following text was written for a double-CD released on December 1, 2024, that compiles various electroacoustic ambient tracks produced between 1995 and 2017. With the current wave of younger listeners of ambient music in mind, I decided to approach this text as a basic introduction to the underlying topics, ideas, contexts and histories behind electroacoustic ambient - both as a genre in the broader sense, and in specific relation to my own work. For those of you who have followed my work over the years, a few passages might read overly familiar - if not outright redundant. But then again, it is a "best of" compilation, so the same could be said of the tracks themselves. While the text does introduce several new thoughts and tidbits, perhaps it should also be considered a "best of" collection of topics.

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